The Studio
Built for both function and inspiration, Bigfoot Studios gives artists a space to capture their best performances. Blending analog warmth with modern precision, it delivers a vibrant, dynamic sound that brings every track to life.
Crafted for Clarity
Every detail of Bigfoot Studios was built around sound. From the hand-tuned live room to the carefully chosen analog gear, each element shapes the character and color of every recording. The result is a space that naturally enhances performance — rich, balanced, and unmistakably musical.
Studio Design by Haverstick Designs
The floor plan was crafted by Haverstick Designs, prioritizing a clear line of sight between all rooms for effortless communication and workflow. This layout creates the ideal environment for collaboration, making it easy for artists, engineers, and producers to stay connected during the recording process.
Acoustic designer Gavin Haverstick worked closely with us to optimize the space for professional recording and mixing, ensuring that every room enhances the clarity, depth, and warmth of the sound. The result is a custom-built recording studio in Waterville designed to produce timeless, high-quality recordings.
The Console
At the heart of Bigfoot Studios sits the Audient 4816-HE Heritage Edition Console — the centerpiece of our sound. This fully analog recording desk combines the clarity of modern engineering with the warmth of vintage circuitry. Every track that passes through it gains that touch of analog soul.
The Rooms
Bigfoot Studios was designed for versatility and precision. Our main live room offers the perfect space for full-band recordings, While a single isolated room off the floor provides a controlled space for vocals, amps, or individual instruments. The control room, set just behind the glass, gives producers and artists a clear line of sight — keeping every take connected, natural, and in sync.
The Goods
Packed with vintage and modern instruments, Bigfoot Studios delivers rich, authentic sound. From a ’73 Fender Rhodes, ’87 Kawai GS40 Grand, and custom Larry Wagner guitar, every piece adds its own character. With boutique tube amps, a Holloman kit, and a deep mic collection, we’re ready for any session — from solo takes to full-band recordings.
Full Gear List
- Audient 4816 HE Console
- Antelope Audio Orion Gen 4 Converters
- Fostex E22 Mastering Reel to Reel
- Klark Teknik LA2A (Modded)
- Dizengoff D864
- Orban 622b (Modded)
- Radial extc 500
- JLM Audio LA500
- Neve RNDI
- Electrovoice EVT4500 Reverb
- Echoplex EP3 Tape Delay
- Klark Teknik EQP-KT (Modded)
- Universal Audio 4-710d
- FIvefish X72 Preamp
- Fivefish 2x SK-1DI
- SSL – x2
- API – ×4
- Fredenstein F609 Tube
- Fredenstein Artistic
- Black Lion B12a
- Stam Audio SA4000 Compressor
- DBX 160VU
- Stam Audio 1176
- Spring Reverb tank
Microphones
- RCA 74b
- Shure 55 Vintage
- Shure 300 Ribbon
- Beesneez Oliver Tube Condenser
- Stam SA-87 (U87 Clone)
- Custom C12 Condenser
- Aston Origin – Pair
- Electro-Voice RE20 – Pair
- Shure Sm57 Original
- Shure Beta 57
- Granelli Audio Labs Sm57
- Shure Sm58
- Shure Beta 87A
- Shure SM7B
- Shure Unidyne III 545 – x3
- Lewitt MTP 440 DM
- AKG D112
- AKG C451 EB w/ CK 1 Capsule – Pair
- AKG C451E w/ CK3 Capsule
- Cad M179 – Pair
- Oktava MK-012 Modded
- Beyerdynamic Opus 88 – x3
- SE Electronics R1 Ribbon – Pair
- Sennheiser E609
- TPS Sound Innovations Sub-Kick
- Sennheiser MD441U
- Aston Starlight
- Bang & Olufsen BM5
- Amperite SR80
- Beyerdynamic M260 x3
- PRS SE Custom 24 w/ Motor City Pickups
- Fender Lite Ash Strat w/ Zhangbucker Pickups
- Fender Custom Telecaster
- Wagner Guitar w/ Bigsby and P90s
- Taylor Acoustic
- Martin LX1E Acoustic
- Córdoba Nylon String Acoustic
- Harmony Batwing Mandolin 1970’s
- Fender Marcus Miller Jazz Bass
- Fender Mustang Bass
- Kawai GS40 – 6’1” Grand – Maintained by Lemle Pianos
- Helpinstill Roadmaster 64 Piano
- Fender Rhodes Stage 73 – Restored with Retro Flyer Preamp (includes“Miracle Mod”)
- Hammond A102 with Leslie 122 – Maintained by John’s Hammond Organ Service
- Focal Solo 6
- Avantone Auratones
- Hear Technologies Hear Back System
- Fender Deville 212 III w/ Eminence Speakers
- Fender Blues Deville 212
- Fender Twin Reverb
- Swart Atomic Space Tone
- Silvertone Twin Twelve
- Dr Z Maz Jr. 18
- Dr Z 212 Cabinet w/ Weber Blue Dog and Silver Bell Speakers
- Custom 212 Cabinet w/ Celestion Vintage 30s
- Ampeg B15N – 1960s
- Holloman Custom Drums – 10”,12”,14”,16” Toms 20” Kick
- Holloman Custom Snare – 14”
- Orange County Drums Maple Snare- 14×6
- Pork Pie Hip Pig Steel Snare- 13×7
- Mapex 14×8 Black Panther Big Cat
- Gretsch Catalina Maple Snare Drum – 5.5”x10″
- 14×5 – 1970’s Pearl Steel Snare
- Zildjian A Custum Medium Crash
- Zildjian Ping Ride
- Sabian AA Regular HiHats
- Sabian AA Thin Crash
- Sabian AAX 14″ Studio Crash
- Zildjian 10″ Splash
- Sabian Hand Hammered 18” Medium Crash
- Sabian HH 18” French Orchestral Crash
- – Many other AA/AAX cymbals
- – Many Auxiliary Percussion options
Ready When You Are!
If you’re new to Bigfoot, start with a consultation to talk through your project and goals. If you’ve worked with us before, go ahead and book your next session — we’ll be ready for you.
